Students: Erin Besler, Paul Stoelting, Paul Trussler
Seminar Title: Robotic Confections & Confabulations (RoCoCo)
Instructor: Devyn Weiser
AT: Jonathan Stahl

Cindy Crawford participates in the tension between loose, painterly, gestural abstraction and the hard-edged, figuratively particular abstraction associated with Pop, initiated in mid-20th century American art. Roy Lichtenstein’s Brush Stroke paintings from the 1960’s, depicting apparently casual arrangements of conventional chromatic discharge, rendered with iconic specificity, and produced industrially, conflate this tension. The series is taken here to be a retroactive archetype for a marginal tendency toward aberrant “painterly” abstraction achieved through means of conceptual acuity, technical proficiency, and computational composition.
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Students: Kyle Branchesi, Emily Chen, Emmy Maruta, Shawn Rumph
Seminar Title: Robotic Confections & Confabulations (RoCoCo)
Instructor: Devyn Weiser
Research Fellows: Brandon Kruysman, Jonathan Proto

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Students: William Hu, Haleh Ofati, Jasmine Park, Grey Crowell
Seminar Title: Robotic Confections & Confabulations (RoCoCo)
Instructor: Devyn Weiser
Research Fellows: Brandon Kruysman, Jonathan Proto

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Students: Viola Ago, Anass Benhachmi, Talin Ebrahimi, Peter A Vikar
Seminar Title: Robotic Confections & Confabulations (RoCoCo)
Instructor: Devyn Weiser
Research Fellows: Brandon Kruysman, Jonathan Proto

portAIRts explores the boundary condition of face-recognition through a series of experiments in robotic control and image fragmentation.
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Students: Erin Besler, Tyler Tyler McMartin, Paul Stoelting, Paul Trussler
Seminar Title: Robotic Confections & Confabulations (RoCoCo)
Instructor: Devyn Weiser
Research Fellows: Brandon Kruysman, Jonathan Proto

The Rainbow paintings address the most basic movements and capabilities of the robot to produce a number of highly specific, precisely inaccurate results in a series of aesthetic and technical inquiries. Adherence to brutally pragmatic formats allowed for careful testing and calibration of the painting instrument.
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